Bellegarde is a small town in the Gard region of the Languedoc, roughly half-way between Nimes and Arles. We went to take part in their Fêtes Médiévales, having enjoyed a few days on the Mediterranean coast after our exploits at Puivert.
The town lies below a substantial hill, crowned with the chunky remains of a twelfth-century tower, named ‘La Madone’ after its statue of the Virgin. The area around the La Madone has been (and is being) landscaped and has a lovely large performance area with seating around. This was the main venue for the Fêtes, but there was also a daily parade down into the town and back again.
The parades into and out of town were fun – we made our way to the church in the middle of the town and different groups took it in turns to entertain the assembled good people of Bellegarde, with fights, dances, music, and so on.
And we contributed our bit by joining in with the music in our guise of Reynard and Tibert.
We had a great time providing music for the dancers of Médiévalys. This wonderful troupe are based at Tarascon, not far from Bellegarde, and perform at many historic events. They danced magnificently, and also made us very welcome. We spoke a lot of French with them, and they likewise practiced their English on us! We have very fond memories of M. Gui, M.Alain and Mme la Présidente. Here is their website if you’d like to know more:
I particularly enjoyed their version of Arbeau’s ‘Scottish Branles’, which had real pace and energy.
Saturday was a bit quiet at the Fêtes, although the evening feast was very well attended, but Sunday was much busier, and the weather improved as well. We had been pounded with rain on Friday night and on Saturday night too there was more rain and powerful winds too. However, Sunday afternoon turned baking hot, and we had to make the most of the shade provided by La Madone as we played for the dancers – who had no such shelter!
This was to have been the last stage on the far southern part of our adventures, for we needed to head north towards Germany to collect my new harp. But Philippe Bolton had invited us to come and visit his workshop a few miles east of Avignon and it was a chance not to be missed! So our next thrilling instalment will be a tour of luthiers from Provence… to Baden-Württemburg… to Poitou-Charentes… to Brittany… watch this space…
Earlier in the year, I put together some guides on late medieval clothing, as part of the Facebook group ‘Making Fifteenth Century Reenactment Glorious’. The aim of the group is to improve standards in the presentation of ‘Wars of the Roses’ period reenactment and living history, and an important part of this is ensuring beginners get good quality information and don’t waste their time and money on inappropriate kit and equipment. So I took on the task of preparing costume guides for beginners and ended up producing one for men and one for women. They list all the main parts of period kit and are stuffed with period illustrations to back up my sketches as well as photos of people in excellent kit!
The Guides are attached to the Facebook group page:
but it seems a good idea to make them more widely available, so if you would like to use them please feel free – but please acknowledge their origin as follows “by Gill Page, for Making Fifteenth Century Reenactment Glorious“.
The guides are intended for beginners setting out to make or acquire kit suitable for late fifteenth-century England – I’ve avoided continental sources as much as possible. I had great fun searching out English material and was helped enormously by some wonderful online collections of stained glass, misericords, wall paintings, English alabaster… all these are credited in the guides and are well worth a look!
Here are a images of a few of the pages in the guides:
We spent all of June and the beginning of July this year abroad, mostly in France with a brief excursion into Germany. It was a splendid holiday with bits of work thrown in – three gigs and some instrument collection too. I meant to keep a blog through the trip, but in the end I didn’t have access to wifi reliably enough, so this is the first episode in what is more of a retrospective, including some notes I made at the time.
Our first appointment was at the incredibly romantic castle of Puivert, way down south in the Languedoc-Roussillon.
Puivert was featured in The Ninth Gate, starring Johnny Depp. It’s in pretty good repair – the keep especially – and has a dramatic profile suitable to its film role of the devil’s castle.
The Puivert festival (properly ‘Les Rencontres Internationales de Lutherie et Musique Médiévale de Puivert’) started life as a meeting of luthiers specialising in medieval instruments. This is its third year and it has been growing all the time with luthiers, musical performances, talks and presentations, and living history. We were involved on three levels. Firstly, on Saturday afternoon, I presented a talk – in French – on the Chansonnier du Roi and its links to medieval Greece. This is the manuscript we mined for all the material on our CD Music for a Medieval Prince. I recently wrote about the manuscript as part of a chapter on a forthcoming handbook of medieval Greece (published by Brill, should be out next year!) and it had been a major challenge for me to put together this presentation in French!
At first, it looked like no one was going to turn up, but by five minutes in there was quite a crowd, so I had to start all over again… after that it all went pretty well. I think the French were able to understand me! and Paul joined me at various points in the presentation to present music from the manuscript.
I guess one of the strangest things for us was playing our music without our medieval ‘superhero outfits’ on – just in modern civvies as it were… We are very used to performing in medieval garb, so this was something new. It was the same for the concert on the Saturday evening, our second involvement. But this too went well – we presented a selection of thirteenth century music, with an estampie real, two cantigas, a ductia plus Miri it is, and Chanterai por mon corage. The concert took place in the chapel in the village, which had very lovely acoustics and it was a pleasure to perform there. We also very much enjoyed other contributions to the evening – notably Hortus Deliciarum, a choir of students from Montpellier who presented truly delicious motets and liturgical music. We also at last got to hear Vicente La Camera Mariño playing so sweetly on the lyre and on the harp.
Our part of the concert seemed to go down well and it was a great evening all round.
On the Sunday we were able to take a proper look at the luthiers and we succumbed to two new instruments… Paul ordered a vihuela from Asier de Benito, and a new alto recorder from Philippe Bolton. The range of luthiers on display at the festival was extremely impressive, especially with regard to the instruments being pretty much universally medieval in period – there was very little later and even some earlier! We were also very taken with Bryan Tolley’s symphonies, but more of that later…
As our final contribution to the festival, we at last got into our outfits, set up our awning on the castle lawn and played our way through the afternoon. This was lovely – the weather was perfect, and people sat around and soaked up our sounds. We got to meet up with many of the singers from Hortus Deliciarum – they were keen to learn Brid one brere and we worked on the song together.
In the evening we all retired to the nearby festival HQ for a meal and a drink – a perfect end to the festival. We really hope to come back to Puivert in future years. Here’s the link for more information:
We are really pleased to announce that ‘Tudor Dance‘, our new resource for schools – and anyone else who’s interested really! is now available.
Tudor Dance is a two-disk resource pack for anyone wanting to make a start at Tudor Dance. One CD is a straightforward audio CD with the music for all the dances featured in the pack played on a glorious array of period instruments. The other CD features an easy-to-use interactive PDF document which includes
- a guide to loads of Tudor steps, from the simple to the galliard, with descriptions, diagrams and audio and video to help users learn and practice the steps
- ten dances fully described in stage-by-stage detail with audio practice tracks
- two further dances presented in worksheet format for users to construct their own choreography
- historical background and ideas for further exploration of the subject
We are doubly pleased right now, because we were able to produce Tudor Dance as a Kickstarter project. Backers from all over the world – well, from California to Australia – generously supported the project, helping us to fund its production. We have just recovered from sending out all the rewards!
It’s the fruit of long labour – having presented many Tudor music and dance sessions with school children and others, we originally produced a guide to ‘Medieval and Tudor Dance’ over ten years ago, as an A4 booklet + CD pack. This sold very well, but we were keen to go interactive, as we knew video and audio would support and aid the learning process immensely. Having decided to rework the original guide, we overhauled all the choreographies in the original, revisited the descriptions of the steps and – very important – added more complex steps and two whole new dances to the collection – a Galliard and a Country Dance. These two broadened the scope of the new guide considerably. While recording the audio for these new dances, we also re-recorded much of the original material.
Tudor Dance will be available soon from our website, but if you are desperate to get your hands on one, just get in touch via email or Facebook and we will attend to your order with all due despatch: the pack costs £12 + p&p. This handsome – and pretty unique – resource is also available to museums, music and book shops who are interested in stocking it – again, just get in touch!
Quite a summer…
Paul and I are just emerging from a very busy summer which saw us performing from Bayeux in the south to Hamilton in the north. Highlights included…
Reynard the Fox at Rievaulx Abbey and at Knaresborough Medieval Day. This photo shows us at Rievaulx – an absolutely stunning setting for the fox’s devious shenanigans, and features our work placement Annabel. She was with us for a week and helped us in many and various ways from roadying for Reynard to demonstrating dance steps for our new school resource pack to helping me try out medieval recipes. Her pastry castle was – eventually – a notable success!
We also had a great time at the Fetes Medievales in Bayeux:
Paul as Tibert the Cat joined me (as Reynard) for capering in the streets of this splendid medieval town, including taking part in the grand parade on Sunday morning. I was interviewed on French radio! These French festivals are just enormous fun and we met some great folk.
Alongside the jousts at Pendennis Castle – always rather special – we also enjoyed being part of English Heritage’s Clash of Knights at Beeston Castle. This is a great format – four teams of twelve knights each all going hammer and tongs; one member of each team is the captain or king and he wears a dragon crest – the aim is to knock off the crests of the opposing teams while protecting one’s own. We provided musical accompaniment for these clashes and much music at our own tent in between.
We loved having our new Burgundian tent this year. The space it affords made it much easier to entertain larger groups especially.
Also in Cheshire we had a really enjoyable day at the Grosvenor Museum, hosted by Sue and Tom Hughes. We presented four different workshops over the course of the day in the lecture theatre and it was simply a pleasure.
We must also mention Scotland’s Festival of History at Chatelherault near Hamilton. It’s a multi-period event which always allows for some juxtapositions – our Facebook followers will already have seen this immortal image of Paul sounding his medieval greatpipes while being whisked about the site on Haydn Easy’s Edwardian trike. It’s one of my enduring memories of the season and it made me laugh like a drain…
This is only some of what we got up to in the summer – we also had some lovely days at Alnwick – performed at some very special weddings – and finished off in stunning sunshine at the Pensthorpe Medieval Spectacular, another incredible event from Black Knight Historical. Now, after a few days at home we are starting to relax and think about the winter…
The next few months are largely taken up with ‘backstage’ work. We need to get down to our instruments and put the shine on some new repertoire. We are focusing especially on 12th century music – we’ve long wanted to expand our range and have been developing more of the tunes from the Ludus Danielis alongside more troubadour pieces; we also have our eyes on some Anglo-Norman repertoire. This new material will also come in handy for our latest recording project which is themed around the Magna Carta – coming up for its 800th anniversary soon!
And there are new instruments too with which we need to become familiar: Paul has his new Goodacre small pipes and also his high medieval lute – the latter is not that new anymore but with being away so much over the last several months it still feels new to him… I need to keep working on my hurdy-gurdy: doing a lot of playing on it over the summer has brought on my confidence on the instrument enormously but there’s a lot to do there. And we’ve just got hold of a couple of wonderful medieval trumpets – one straight and one a very fifteenth-century ‘S’ shape; this second one in particular has a very lovely tone that accords well with Paul’s new Moulder shawm. Even though I am completely new to it, we know from initial parpings that there’s potentially a great sound with these two.
We also have to continue work on our new educational resources – I did a lot of work on these earlier in the year but again had to put it all aside for the summer. I am working on new digital interactive versions of our ‘Medieval and Tudor Dance’ guide and ‘How to Be a Tudor’, as well as a new companion project, ‘How to Live in a Castle’. Lots of material needing to be dragged together and made user-friendly!
So we are taking a bit of a back seat for the next few months, but not disappearing completely. Dates for the diary:
21-22 September: Medieval Music at Bolton Castle. One of our local castles, Bolton is a stunning venue in the most beautiful Wensleydale countryside.
October 30th: ‘Reynard the Fox’ at The Witham in Barnard Castle. A longstanding venue in the town, The Witham has recently undergone major redevelopment and we will be performing in their new music hall.
December 20th: ‘A Medieval Christmas’ at Barley Hall. We are delighted to be coming back to Barley Hall in York for another Christmas concert. Trouvere really got started at Barley Hall – many years ago! – and it remains a venue we are really fond of. Plus the Great Hall unsurprisingly suits our medieval sound perfectly!
December 27th-31st ‘A Medieval Christmas’ at the Tower of London – more details to follow!
It has been a busy year for us so far, what with some excellent gigs and also a lot of work going in to preparing our new (and revised) school resources. Here’s how 2013 has shaped up to date….
Apart from some successful school visits January was the quietest month so far, and it was dominated by our amazing trek to Sicily! This was nothing to do with work, other than soaking up the incredible Norman monuments. I’d wanted to see these for ages and they lived up to expectations, with the Capella Palatina and the Duomo at Monreale especial highlights. The loveliest day – English-summer hot and sea and sky bluest blue – was the one we spent in Cefalu. Here too we ran into those busy Normans, as the fortress on top of the Rocca (a typically lofty Frankish perch) was Norman, despite what the guidebooks said – the authors had plainly not bothered to hike up themselves! While in Palermo, we also took in a hefty dose of Wagner at the Teatro Massimo – amazing.
Back to the English winter… and we enjoyed one of our more unusual gigs in mid-February, when we played for a LARP banquet. Our colleague Dan is an active LARP-er and knew most of the folks present. It was a really fun night which culminated – at least for us – in a rip roaring dance session of crazy branles! Our enthusiastic partygoers really threw themselves into the terpsichorean foolery… Dan and I also performed our first Reynard tale of the year; it was an unusual rendition of ‘Chanticleer’ with various lines cunningly adapted by Dan to our audience, their characters and their plot lines. Everyone laughed uproariously in all the right places, but I for one didn’t really know why at times!
March was a fantastically busy month with many schools up and down the country, along with exhibition openings for Wakefield Museums and Barley Hall in York. For this last, we escorted Terry Deary of ‘Horrible Histories’, dressed as the Grim Reaper (no less!) through the streets of York on a circuitous route from Barley Hall to the Guildhall. It’s been a long time since we processed through York and we rather enjoyed making a complete racket with the greatpipes and the big daouli drum.
From February through March and into April we have also been hard at work on school resources. We are turning our ‘Medieval and Tudor Dance – A Guide for Schools’ – which is unbelievably now TEN YEARS OLD!!! – from a booklet-plus-CD pack into an interactive CD resource pack, renaming it simply ‘Tudor Dance’, and adding more of everything – that’s more music, more dances and more background information. I’ve been meaning to do this for ages, and we’re nearly there now. I’m looking forward immensely to working with my best friend’s daughter to prepare video footage of the dance steps; she’s a talented dancer and this should add a great deal to the pack. Alongside this project, we are also turning our ‘How to Be a Tudor’ into a digital pack as well, and I am busily working on a new matching resource for schools called ‘How to Live in a Castle’. Whewww! It’s keeping us busy….
And then there are the new instruments and the new repertoire to go with them. Paul is loving his thirteenth-century lute, and I have rediscovered a little harp that I acquired a while ago, which I have retuned to complement the lute. The two make a really sweet sound together, and we are bringing on some new and not-so-new twelfth and thirteenth century material. And I am greatly enjoying my hurdy-gurdy – we’re putting this against the bagpipe and also alongside fruity hand drums, great fun for Paul!
Easter and the start of April felt like the season getting underway extra early. We were really pleased to get asked back to Alnwick Castle (three visits in total this year), and we spent Easter in their splendid ‘Knights’ Quest’ activity space doing hands-on medieval music with visiting families. Though a bit cold, it was a lovely three days and it was good to be working alongside the Company of Artisans and Grunal Moneta. Alnwick have a great attitude with their medieval activities – they want lively fun but have an eye for quality in presentation. And they play our music on their soundtrack!
April also saw our first English Heritage event of the year, with the St George’s Festival at Dover Castle. It was the first outing for our lovely and huge new Burgundian tent, and its layout allowed us to welcome a big audience actually into the tent for our show, the ‘Musical History Tour’. It worked really well, as we’d hoped, and so over the last week I’ve been busy making a heap of extra cushions for people to make themselves comfortable on!
This May bank holiday sees us playing at Winchester Great Hall (one of my favourite spaces) on the Saturday, and then stunning Old Sarum on the Sunday and Monday. I am also going to pick up my amazing new dress from its maker, Vicky Binns of Aquerna Fabricae. It’s a beautiful twelfth-century-style bliaut in dark red lined in green and has the most spectacularly huge trailing sleeves. Photos will follow!
I’ve decided to write a blog for Trouvère. It’s another way to keep people informed about what we have been up to and also what we are planning – and a useful discipline for me to keep me writing regularly…
As a first post – to get me underway! – I’m going to take a look back at 2012. It was a busy year for us and we were especially pleased to be able to release our new CD ‘Music for a Medieval Prince’. I’m going to blog in more detail about the CD later, but a few words here are a must as it was a highlight of our year.
Paul and I had been working on ‘Prince’ for a while. It’s a project particularly close to our hearts as it combined an unusual set of enthusiasms. Paul had been wanting for some time to work on more music from the Chansonnier du Roi, as it is a major source of trouvère music and he had got hold of the facsimile edition. Then, I was commissioned to write and article on the literature of medieval Greece and in the course of my research I found out that the Chansonnier has close links to the medieval Morea – that’s the French principality in southern Greece that had played an important part in my doctorate. It was amazing to have Trouvère and medieval Greece come together so neatly! More on the background to the CD to follow in due course…
We completed the recording of the CD at the start of the year and had a great few days with Martin Lamb recording vocals. We’d met Martin working with Past Pleasures for their ‘Medieval Christmas’ event at the Tower of London and knew his voice would be perfect for the thirteenth century songs on the CD. It was also great to get our new symphony onto the CD. We’d picked it up from the maker Henri Renard in November of 2011 and I had brought it on enough for it to feature on a couple of pieces on the CD.
It was also great to be able to feature the new ‘Prince’ repertoire in concert during the year. Our good friend Howard Quinn organised a concert in Harrogate in March, and this was followed by an evening performance at the ‘Wars of Christ’ conference at Christ Church in Oxford in the same month. This evening was enlivened by a power cut! Just before we were due to go on, the lights went out and the magnificent Hall was lit only by emergency lights and many many candles – it looked quite magnificent and was a fitting setting for the thirteenth-century sounds. We also really enjoyed playing at the ‘Minstrels Court’ in Chester in June. This splendid event is organised by Tom Hughes (of the Bagpipe Society and much else), and featured a great assemblage of historical music types. We played a set during the day and another in the evening concert, which went very well. We’re looking forward to returning to the Minstrels Court again this year – on June 15th.
We were able to get over to France again this year to play at the Fêtes Médiévale at Josselin in Brittany. The highlight was the evening parade through the town and along the canal under the walls of the Chateau. Paul did magnificently, keeping up a round of tunes on his wonderful new great pipes, while I bashed the big daouli drum. But we could not stay in France very long – we had to get back to England where English Heritage had booked us for what felt like the whole summer!
We had a great time playing at a round of tournaments and jousts from Battle Abbey to Pendennis Castle to Belsay House… And Richmond Castle – now this is our local castle, no more than thirty minutes drive away… but the event here was sandwiched between two at Pendennis in Cornwall! Ho hum… But the events were great fun. We’ve really developed our fanfare sound, and with Paul tootling at the top on the shawm and Dan (on the rauschpfeife) and me (on the trumpet) honking and blasting underneath it’s pretty striking. We played many knights onto the field, heralded their strikes at quintain, cabbages, melons, rings and each other… and in between the clanking and bashing played some nice sets at the tent with appreciative visitors.
Over the course of the year, we visited many schools and a few highlights stick in the mind. One of our Tudor sessions is ‘An Audience with Queen Mary’, where the children basically have to behave themselves impeccably for about an hour. Bliss. The queen’s presence has a remarkable effect and it’s a memorable session for the children. As a bit of wind-down at the end of the session the queen (that’s me) often auditions for a new jester and we have had break-dancing, armpit-farting and frog impressions amongst much else. But in November, a very splendid young 8-year old confessed that she had no jests but could sing a song, and proceeded to sing ‘Deck the Halls’ for the queen, very beautifully, bringing a genuine tear to the royal eye.
In December we were delighted to be playing again at Barley Hall, for a ‘Medieval Christmas’ evening. We have such a history of playing at the Hall, but had not done a concert-style presentation there for some years; it will always remain one of our favourite venues. There was a good crowd who responded very warmly to the show, making a great end to our year.