I’ve decided to write a blog for Trouvère. It’s another way to keep people informed about what we have been up to and also what we are planning – and a useful discipline for me to keep me writing regularly…
As a first post – to get me underway! – I’m going to take a look back at 2012. It was a busy year for us and we were especially pleased to be able to release our new CD ‘Music for a Medieval Prince’. I’m going to blog in more detail about the CD later, but a few words here are a must as it was a highlight of our year.
Paul and I had been working on ‘Prince’ for a while. It’s a project particularly close to our hearts as it combined an unusual set of enthusiasms. Paul had been wanting for some time to work on more music from the Chansonnier du Roi, as it is a major source of trouvère music and he had got hold of the facsimile edition. Then, I was commissioned to write and article on the literature of medieval Greece and in the course of my research I found out that the Chansonnier has close links to the medieval Morea – that’s the French principality in southern Greece that had played an important part in my doctorate. It was amazing to have Trouvère and medieval Greece come together so neatly! More on the background to the CD to follow in due course…
We completed the recording of the CD at the start of the year and had a great few days with Martin Lamb recording vocals. We’d met Martin working with Past Pleasures for their ‘Medieval Christmas’ event at the Tower of London and knew his voice would be perfect for the thirteenth century songs on the CD. It was also great to get our new symphony onto the CD. We’d picked it up from the maker Henri Renard in November of 2011 and I had brought it on enough for it to feature on a couple of pieces on the CD.
It was also great to be able to feature the new ‘Prince’ repertoire in concert during the year. Our good friend Howard Quinn organised a concert in Harrogate in March, and this was followed by an evening performance at the ‘Wars of Christ’ conference at Christ Church in Oxford in the same month. This evening was enlivened by a power cut! Just before we were due to go on, the lights went out and the magnificent Hall was lit only by emergency lights and many many candles – it looked quite magnificent and was a fitting setting for the thirteenth-century sounds. We also really enjoyed playing at the ‘Minstrels Court’ in Chester in June. This splendid event is organised by Tom Hughes (of the Bagpipe Society and much else), and featured a great assemblage of historical music types. We played a set during the day and another in the evening concert, which went very well. We’re looking forward to returning to the Minstrels Court again this year – on June 15th.
We were able to get over to France again this year to play at the Fêtes Médiévale at Josselin in Brittany. The highlight was the evening parade through the town and along the canal under the walls of the Chateau. Paul did magnificently, keeping up a round of tunes on his wonderful new great pipes, while I bashed the big daouli drum. But we could not stay in France very long – we had to get back to England where English Heritage had booked us for what felt like the whole summer!
We had a great time playing at a round of tournaments and jousts from Battle Abbey to Pendennis Castle to Belsay House… And Richmond Castle – now this is our local castle, no more than thirty minutes drive away… but the event here was sandwiched between two at Pendennis in Cornwall! Ho hum… But the events were great fun. We’ve really developed our fanfare sound, and with Paul tootling at the top on the shawm and Dan (on the rauschpfeife) and me (on the trumpet) honking and blasting underneath it’s pretty striking. We played many knights onto the field, heralded their strikes at quintain, cabbages, melons, rings and each other… and in between the clanking and bashing played some nice sets at the tent with appreciative visitors.
Over the course of the year, we visited many schools and a few highlights stick in the mind. One of our Tudor sessions is ‘An Audience with Queen Mary’, where the children basically have to behave themselves impeccably for about an hour. Bliss. The queen’s presence has a remarkable effect and it’s a memorable session for the children. As a bit of wind-down at the end of the session the queen (that’s me) often auditions for a new jester and we have had break-dancing, armpit-farting and frog impressions amongst much else. But in November, a very splendid young 8-year old confessed that she had no jests but could sing a song, and proceeded to sing ‘Deck the Halls’ for the queen, very beautifully, bringing a genuine tear to the royal eye.
In December we were delighted to be playing again at Barley Hall, for a ‘Medieval Christmas’ evening. We have such a history of playing at the Hall, but had not done a concert-style presentation there for some years; it will always remain one of our favourite venues. There was a good crowd who responded very warmly to the show, making a great end to our year.